I wonder if the writers came up with idea of mating once every seven years just to make fanboy geeks feel better about their own sex lives? Just a thought…
Cast & Crew
Director: Rob Hedden
Story By: Rick Berman & Brannon Braga
Teleplay By: Phyllis Strong & Mike Sussman
Scott Bakula as Captain
Connor Trinneer as Chief
Engineer Charles Tucker III
Jolene Blalock as Sub-commander
Dominic Keating as Lt.
as Ensign Travis Mayweather
Linda Park as Ensign Hoshi
as Dr. Phlox
Enrique Murciano as Tolaris
Robert Pine as Tavin
Vaughn Armstrong as Admiral Forrest
John Harrington Bland as Kov
Originally Aired: February 27, 2002
En route to a visit of the Arachnid Nebula, Enterprise receives a hail
from a Vulcan ship, the Vahklas. They are in need of repairs and would
appreciate any help Starfleet can offer them. What’s most surprising about these
vulcans are their lack of emotional restraint. The vulcan crew, outcasts from
their homeworld, are trying to integrate logic with their emotional core. The
plot revolves, primarily, around T’Pol and the Vahklas first officer,
Tolaris. A sub-plot involves Trip and a Vulcan engineer, Kov, who is interested
in learning more about humans.
T’pol, who, initially, does not want to spend any time with her fellow vulcans,
soon warms up to Tolaris. Intrigued by their lifestyle, she endeavors, albeit
cautiously, to learn more about them. She takes his advice of not meditating
before bed. The result is a vivid (and at time erotic) dream. While trying to
explain the dream to Tolaris, he suggests a Vulcan mind-meld. Apparently Vulcans
in this time have abandoned this technique and only a select few (i.e. the crew
of the Vahklas) are trained in using it. The meld begins slowly, then
takes a turn for the worse. Unable to control his emotions, Tolaris forces his
way deeper into T’Pol’s mind. She manages to break off the attack, but is left
weak and emotionally drained. Archer confronts Tolaris, demanding an explanation.
During the ensuing argument, Archer baits the Vulcan into a fight to prove that
he really isn’t in control of his emotions (and manages to tossed around his
office on top of things).
The sub-plot, Trip and Kov’s friendship begins with an exchange of information.
Trip finds out a little more about vulcans (the seven-year mating problem for
one thing). Kov also learns that humans aren’t the barbarians that they were
originally made out to be. Archer receives word from Adm. Vaughn that the Vulcan
High Council has a message for Kov, his father is dying and would like for his
son to return home. Kov refuses, remembering his father’s words before he left
Vulcan. After a long talk with Trip, he realizes that his decision could effect
him emotionally for the rest of his life (a very long time for vulcans). In
the end, he calls his father and gets an update on his condition, his health
The episode concludes with Archer in T’Pol’s quarters, asking her how she feels.
He also comes to an understanding as to why Vulcans are the way they are, and
the fine line they walk between self-control and self-destruction.
What can I say. Those of you that have been with me for a while can probably
guess how I felt about this episode. All to often Star Trek resorts to some
species acting out of character (emotional vulcans, generous ferengi, friendly
klingons, etc.). Sometimes it works…but that rarely happens. Writing a good
story is more than just juxtaposition of standard character behavior and I’d
hate to think that we’re running that low on good story content.
I can’t quite make up my mind about the mind-meld continuity problem. I know
the current timeline never specifies when the technique went in and out of fashion,
I just found it a bit hard to swallow. If someone has something more concrete,
please feel free to post it.
As the season winds down, we all are left questioning where this show is going,
and if Berman and Braga really have the skills to keep the franchise afloat.
I’ve certainly come to question their writing abilities as the episodes they’ve
penned are some of the worst of the lot (something we saw in Voyager
Archer’s reverence for his first astronomy book was touching. He’s really just
a big kid at heart who is doing what he’s always wanted to do. Being able to
see the nebula that first sparked his interest in space firsthand is something,
I think, all of us can empathize with and smile.
Oh too many to pick from. I hate that. If I had a gun to my head (not a suggestion
mind you) I’d pick the extra boring exchange on the Vahklas bridge between
Tolaris and T’pol.
Originality: Some of the worst kind of antistereotypification. 2
Effects: Always the upstanding portion of Enterprise. I really wish
the directors/producers would show those gorgeous Vulcan ships for longer periods
of time. Stand out design work. 4
Story: I kept waiting for something to happen, but I was left without my wishes
fullfilled. I think the writers were hoping the premise would keep it afloat.
Acting: What’s worse than a standard wooden Vulcan? An emotional-but-still-wooden
Vulcan (anyone else really miss Leonard Nemoy’s Spock?). Poor choices
for the guest cast all around. 2
Emotional Response: Nothing spectacular, but the mind-meld scene was disconcerting
to watch. 3
Production: The sets are still looking good. The Vulcan ship interior seemed
a little, I don’t know, bland. Maybe it was by design, but other Vulcan sets
we’ve seen were better looking (the P’Jem monastery for one). 3
Overall: Does it stand out on it’s own, no. Does it contribute something to
the whole? Maybe. We’ll see where this mind-meld issue goes. Could be good,
could be bad. 3
Total: 19 out of 42
presses T’Pol to reveal her dream
and Tolaris aboard the Vahklas
- New friends
Trip and Kov
takes some readings on the Vulcan ship
experiences her first mind meld
has an erotic dream about Tolaris
Next Time on Enterprise (Mar 13, 2001)
Attacked by an unidentified enemy ship, the crew struggles to get their new
phase canons operational. Meanwhile, Archer realizes that no one knows Reed
well enough to give him a personalized birthday gift.
Last Time on Enterprise (Mar 6, 2001)
The Enterprise crew encounters a pre-industrial society that is afflicted
with a plague caused by exploitative secret visitors.