The Doctor goes in search of a life form with the perfect ability to hide.
Cast and Crew Information
Peter Capaldi as The Doctor
Jenna Coleman as Clara Oswald
Samuel Anderson as Danny Pink
Remi Gooding as Rupert Pink
Robert Goodman as Reg
Kiran Shah as Figure
Written by Steven Moffatt
Directed by Paul Murphy
What if you talk out loud when you’re alone because deep down you know there’s something listening? The Doctor thinks that’s exactly what’s going on, and is determined to prove it.
The pre-credits scene is a genuinely creepy moment, something which often eluded the show in recent series. Fortunately this isn’t diluted by subsequent happenings.
If you suspected you’d just met one of your own descendants, wouldn’t you ask them about their family tree?
Originality seems lacking initially, as there are more than just echoes here of the Silence and the Weeping Angels. In fact, I started thinking that the idea that it’s not involving the Silence is quite absurd. Then things got all loopy and I no longer knew what to think about whether I’d seen this before or not. It’s like four or five familiar stories I can’t quite actually recall the names of mashed together in an interesting way. Five out of six.
The effects were minimal, since the story called for very little more than some TARDIS travel and a few giant fans. The result of this, of course, is that the effects were basically flawless. Five out of six.
The story started creepy but absurd, then started losing the absurdity and just got creepier. Unfortunately it was slightly disrupted by the ongoing stepping around of certain bits of character development. The end is less surprising in hindsight than it is when it happens, but there’s a lot left unsaid as well and actually I have no idea how certain things in the opening scene tie in with the eventual resolution. A hole in the plot, or an unresolved thread? In character terms, I’d argue that it doesn’t actually matter. Five out of six.
Capaldi’s acting remains strong enough to deliver an entire scene by himself and make it at least mildly blood-curdling, while Coleman takes us through at least four of Clara’s many facets in a way that reminds me that she might be one of the most competent companions the Doctor has ever had. I’m still enjoying Anderson’s ability to match Coleman for early-date-awkwardness, too. Six out of six.
The production has a great way with odd camera positioning, tying in well with the emerging story. Also there’s a trend this series with wide camera shots of the TARDIS control room which are just gorgeous. I didn’t even notice the incidental music until the preview of next week’s episode (which used the big, bombastic theme we’re so familiar with from many previous series), so in my mind that’s a big win. Five out of six.
The emotional response was me being creeped out extremely rapidly, and this was me watching first thing in the morning over breakfast. And what is it with anonymous people in protective suits? They know exactly how to push my scary buttons when they want to. Six out of six. I haven’t been this scared of an episode since The Empty Child.
Overall, this is the kind of episode I want to see a lot more of. Capaldi shines as this kind of Doctor, and the story suits him very well. Six out of six.
In total, Listen receives 33 out of 42.