Movie Review – Mad Max: Fury Road

It has been almost 30 years since the last Mad Max movie. Since then Director George Miller has done a variety of children’s films, in some form or another involving talking animals. At last, Miller has returned to the wasteland – but after a decade of Happy Feet and cutesy pigs, is he able to return to the world of fire and blood?

Tl;Dr version – Yes he can, and it is a lovely day.

mad_max_fury_road_ver11_xxlgCast and Crew

Tom Hardy is Max Rockatansky
Charlize Theron is Imperator Furiosa
Nicholas Hoult is Nux
Hugh Keays-Byrne as Immortan Joe
Josh Helman as Slit
Nathan Jones as Rictus Erectus
Zoë Kravitz as Toast the Knowing
Rosie Huntington-Whiteley as The Splendid Angharad
Riley Keough as Capable
Abbey Lee as The Dag
Courtney Eaton as Cheedo the Fragile
John Howard as The People Eater
Richard Carter as The Bullet Farmer
Iota as The Doof Warrior (aka the guy with the electric guitar/flamethrower)
Angus Sampson as The Organic Mechanic
Jennifer Hagan as Miss Giddy
Megan Gale as The Valkyrie
Melissa Jaffer as Keeper of the Seeds

Written by George Miller, Brendan McCarthy, and Nick Lathouris
Directed by George Miller

Rated R by the MPAA.

The Premise

George Miller’s official description of the premise – which is too awesome not to repeat:

“Mad Max is caught up with a group of people fleeing across the Wasteland in a War Rig driven by the Imperator Furiosa. This movie is an account of the road war which follows. It is based on the Word Burgers of the History Men and eyewitness accounts of those who survived.”

But more seriously: Max Rockatansky is captured by the forces of Immortan Joe, where he is kept alive due to having Type O Blood (the universal donor blood type) – to serve as a “Blood Bag” for Joe’s Warboys – cancerous young men promised immortal life in death if they will serve Joe in battle. When Imperator Furiosa steals one of Joe’s War-rigs, and flees into the desert with Joe’s “Brides” (women kept as slaves in order to bear Joe’s children) – Joe and all of his warriors, as well as the warriors of Gastown and the Bullet Farm – set out in pursuit. Max manages to link up with Furiosa, to help them escape across the desert.

High Points

This movie just goes. The whole film is just one solid Road War. It’s not like The Road Warrior (or, for that matter Beyond Thunderdome), where the Road War is saved for the film’s third act. Instead the movie is effectively one solid chase, with occasional lulls here in the fighting here and there. In spite of all this, the film never loses a sense of geography. We generally know where things are in relation to each other.

The world also has an interesting progression of the societal development we saw in Beyond Thunderdome. In the first three films, we went from “On the cusp of/during the fall” in the first film – where there were the structures of modern society left, but they were shaky and falling. In the second film, society had mostly fallen to banditry, with groups like Drill Town trying (and sort of failing) to survive against predation. In the third film, society had re-developed enough that the idea of a neutral trading post (Bartertown) was one that society had come to the conclusion that they needed and would support. Here, we have three settlements: The Citadel (lead by Immortan Joe), which supplies water; the Bullet Farm (lead by the Bullet Farmer), which is self-explanatory in what it supplies; and Gastown (lead by The People Eater), which again is self-explanatory.

George Miller also still has it when it comes to shooting these Road Wars – all the quick (but coherent) cuts from the earlier films, brutal collisions and wrecks, are all here. All the car wrecks are practical (to the point that there’s reasonable chunk of the credits set aside for the dummy technicians who set up the dummies for those wrecks) – and the CGI is primarily done for shots that couldn’t practically be done (like the massive sandstorm seen in the trailers, and a few shots of actors being consumed by flame inside cars).

Also, special note needs to be given to the Doof Warrior. He has no lines, and spends the entire film on his vehicle, with an apparent front end made of a platform in front of a slew of amps and speakers, with a quartet of drummers behind him. He just stands there as the War Party rides into battle, playing guitar riffs and shooting flame out of his guitar. Also, his guitar is a flamethrower. This is, quite possibly, the most Metal thing ever.

Low Points

This is, a weirdly darker film than Mad Max or The Road Warrior – there are signs that the world is far worse off than it was in those films. The particular example of note is the Vuvalini discussing their 160-day drive across the “Great Salt”. At a rough estimate, the only possible salt-flat that would require 160 days to drive across would be what was left if the Pacific Ocean had dried up. At which point, if the Pacific Ocean had dried up entirely, the world’s ecosystem is officially FUBAR – and Earth will likely become a lifeless, dusty ball within a few generations.

Hugh Keays-Byrne does a good job as Immortan Joe, and certainly has fun hamming things up but he doesn’t quite have as much to work with as he did in Mad Max (where he played Toecutter), and certainly doesn’t quite have the same variety of quotable lines (“He was the Night Rider! Think of him when you look up at the night sky!”)

Apparently Charlize Theron has lost her South African accent, because she’s using a straight American accent here, where everyone else is either using a British (Tom Hardy), or Australian (pretty much everyone else) accent.

3D or 2D?

This film is currently out in a 3D and conventional 2D release. I saw this film in 3D. There’s a good combination of use of depth of field in some of the quiet scenes, and stuff flying towards the camera during the action scenes. You could make a good case that the film’s crashes, collisions, and people-getting-run-over-by-cars feel more visceral because they’re in 3D.


Originality: This is not the first “road war” we’ve seen. However, I will say that this is the first Road War we’ve seen that’s worthy of the description “Road War”. 4/6

Effects: The practical effects are very well done, and the CGI, while used sparingly, is convincing. 5/6

Acting: Tom Hardy’s Max is as much a man of few words as Mel Gibson’s Max in The Road Warrior, and Hardy is able to act non-verbally just as well (if not better) than Gibson. Charlize Theron’s straight American accent feels out of place – though I’m not sure if that’s an acting or direction decision, or if Theron’s just lost her South African accent entirely to the point that a middle-American accent is the best she can do. 4/6

Story: The film’s story is relatively light, in terms of narrative density, focusing on the action and the character moments to carry the film. They succeed at doing this, and they really help emphasize the film’s narrative themes – which, if you look at them, would seem unsubtle, were they not in a film with the Doof Warrior. 4/6

Emotional Response: This film is both tense and intense. The action is visceral and exciting, and by the third act there are some serious questions about who will and will not make it. The crashes hit your wince reflex, and some of the stunts have that a strong “Holy ****” factor (choose your own four-letter word), to the point that it makes you wonder how they didn’t lose any stuntmen over the course of this film. 6/6

Production: Holy crap this film is an amazing work of visual artistry in every respect. While this certainly isn’t the kind of film to win any of the main Academy Awards categories, if this doesn’t sweep the Technical Awards (and Editing), then this film will have been robbed. 6/6

Overall: This film is worthy of the hype. It is worthy of viewing on the biggest possible screen you can find. 6/6

In total, Mad Max: Fury Road, gets 35 out of 42.