Lois goes undercover by becoming almost entirely


Clark Kent

Kristen Kreuk as
Lana Lang

as Lex Luthor


as Lionel Luthor

as Martha Kent

as Jonathan Kent

Erica Durance as
Lois Lane

Allison Mack as
Chloe Sullivan.

Written by Brian Peterson and Kelly Sounders.

I could swear that the on screen directorial credit
was given to
Jeannot Szwarc, but the official website credits Brad

Original Airdate

originally aired on Thursday,
November 3, 2005.


Clark, Chloe and Lois all end up investigating the
death of a stripper
tied to one of Jonathan Kent’s oldest friends.

High Point

The rooftop sequence.

Low Point

There are only so many times a viewer can hear
conversations about
what makes a hero before the episode moves from
“amusingly subtle” to
“irritatingly preachy.”

The Review

How original is this episode? Did you see
the sixth episode
of Lois and Clark: The New Adventures of
, in which
both Lois and Clark infiltrate a strip club? Yes?
Then you’ve seen
most of this. Throw in some Dukes of Hazzard
and mix in some
of Superman: The Motion Picture, and you’ve
got the complete
package. I give it 2 out of 6.

The special effects were somewhat limited
this week. We had
the early collision, and the later high point, both of
which were well
done. I give it 5 out of 6.

The story wasn’t badly written, but some
moments could have
been smoothed out. It really felt like it was trying
to combine
elements of previous shows and movies rather than
attempt to do
something new. The plot points were all there, and it
would have been
quite enjoyable had I not seen those previous
incarnations. (Then
again, how many people older than 20 who watch the
haven’t seen the movie, Lois and
, or Dukes
of Hazzard
?) I give it 3 out of 6.

The acting was well done. Lois was clearly
uncomfortable with her performance, which was amusing.
Tom Wopat did
well as the Senator, probably because he and John
Scheider really are
old friends. Welling was often unconvincing this
week, in his
discomfort at the club, as well as in his interactions
with Lex. This
may be due in large part to the significant portion of
exposition that he had to deliver this week after a
few weeks of more
emotive scripts to work from. I give it 4 out of 6.

The emotional response was high in places,
but mostly rooted
in disinterest since we’ve seen this stuff so often
before. I give it
4 out of 6.

The production was good. The Dukes of

scenes mimicked the photography and music of the show,
while the
Metropolis scenes left that feeling behind. This
distinction might be
part of the reason it felt so much like it was a
reference to
different things; they mimicked the production styles,
too, which were
very distinct entities. If felt uneven when it
switched from one
story to the other. I give it 4 out of 6.

Overall, it was fairly well done, but not as
good as previous
weeks have been. (Bring back Milton Fine!) These
homage rich
episodes should be early in a show’s run, not late in
the run. I give
it 3 out of 6.

In total,
out of 42.