As our Halloween coverage approaches the end of the season, we look back at one of Disney’s most mature animated projects.
Cast and Crew Information
Grant Bardsley as Tara
Susan Sheridan as Eilonwy
Nigel Hawthorne as Fflewddur Fflam
John Byner as Gurgi and Doli
Phil Fondacaro as Creeper
Freddie Jones as Dallben
John Hurt as the Horned King
Story credits go to David Jonas, Vance Gerry, Ted Berman, Richard Rich, Al Wilson, Roy Morita, Peter Young, Art Stevens and Joe Hale.
Based on the “Chronicles of Prydain” novels by Lloyd Alexander
There is no screenplay credit.
Directed by Ted Berman and Richard Rich.
A young boy must protect an oracular pig from the evil Horned King, lest the King might locate and use the Black Cauldron, which would allow him to create and unstoppable undead army.
The strong female character. They were starting to become more common in 1985, but if it’s even remotely accurate in its adaptation of her character, then that’s pretty impressive for children’s books published between 1964 and 1968.
The awkwardness of the adaptation. I’ve never read the source material, but there are bits and pieces that don’t quite fit, seemingly to allude to information in the books that never made it on screen. As a result, the film feels incomplete.
When it comes to originality, most adaptations suffer, though it sounds like this adaptation wasn’t terribly faithful. (In fact, it sounds like it suffers from trying to adapt five full length novels into 80 minutes of screen time, including credits.) Even so, whether it’s a problem with the source material or the way they compressed it, the major plot points are very standard for the genre. I give it 3 out of 6.
The animation was decently done. It’s not terribly innovative, but it’s also not irritating or painful. It’s just stock, pedestrian stuff. I give it 4 out of 6.
The story is more mature than we’re used to from Disney. Within the first few minutes, the hero bleeds. Yes, it’s only a bloody lip, but it’s still blood on and from a Disney hero. It’s still a PG flick, but compared to the rest of the company’s animated fare, it’s mature. Unfortunately, there are just too many little conveniences, likely to adapt that much material into 80 minutes. Characters rely too much upon coincidence to make it through. I give it 4 out of 6.
The voice acting is much like the rest: tame. Nothing stands out as great, and the points of weakness at the script level are left to glare. The voice actors turn in their work in classic Disney fashion: funny voice timbres are more important than emoting. I give it 4 out of 6.
The production is also midrange. I was greatly annoyed to hear Elmer Bernstein effectively plagerize himself, though. This was released a year after “Ghostbusters,” and had many of the same musical cues by the same composer. Given that the score is one of the last things to be finished on a movie, and that there’s a 13 month gap between them, there should have been time for Bernstein to compose an alternative. The editing, sound and images get the job done. I give it 4 out of 6.
The emotional response was stronger than it should have been, mostly because of the Disney name. Had this been Fox or Warner Bros, I would have been less impressed. However, given the usual Disney target audience, watching something aimed at the young adult set is an impressive choice. I give it 5 out of 6.
Overall, it’s worth checking out with kids who are starting to outgrow Disney’s other stuff, but the parents alone probably won’t spend a lot of time with it. I give it 4 out of 6.
In total, The Black Cauldron receives 28 out of 42.