Whereas the previous episode departed from and expanded upon the content of the source material, this week is based almost entirely on events from the novel, reconceptualised, adapted, and rearranged into another gripping hour of television.
Titles: “Nolite Te Bastardes Carborundorum”
Cast and Crew
Director: Mike Barker
Writers: Leila Gerstein, from the novel by Margaret Atwood
Elisabeth Moss as Offred / June
Joseph Fiennes as Commander Fred Waterford
Yvonne Strahovski as Serena Joy Waterford
Samira Wiley as Moira
Ann Dowd as Aunt Lydia
Max Minghella as Nick
Jordana Blake as Hannah
Madeline Brewer as Ofwarren / Janine
O. T. Fagbenle as Luke
Amanda Brugel as Rita
Kristian Bruun as Doctor
Edie Inksetter as Aunt Elizabeth
Nina Kiri as Alma
After discovering a cryptic message, June/Offred recalls her life with Luke, her time at the Red Centre, and Moira’\’s escape.
The Commander has problems which may provide an opportunity for our beleaguered protagonist.
Elizabeth Moss, the focus of nearly every scene this week, gives a stunning performance.
Low (?) Point
Apparently The Handmaid’s Tale will receive a second season. Given that the first season covers the events of the novel, I’m not certain how I feel about that. Is there a point to “Further Adventures in Gilead?”
Originality: 3/6 Virtually everything this week’s episode occurs in the novel, though not in exactly the same way or to the same characters. June’s involvement with Moira’s escape from the Red Centre presents an interesting twist.
Emotional Response: 6/6
In a passing but curiously prescient moment, the Commander complains about the media (the Canadian media, since Gilead’s government controls theirs) being fake news for reporting what actually happens.
Production: 6/6 The series maintains its high standards.
Note: The Handmaid’s Tale was filmed in Toronto and Hamilton. I’m fairly certain I saw a bit of McMaster University’s campus last week; this week some scenes take place around Nathan Philips Square. Several Toronto landmarks, including City Hall, are clearly visible.
I haven’t been a huge fan of the series’ use of pop music, but the Penguin Café Orchestra is a perfect choice for this week’s mildly uplifting conclusion. This week isn’t as strong as last week, but The Handmaid’s Tale remains a solid adaptation of the speculative/satiric classic.
In total, “Nolite Te Bastardes Carborundorum” receives 34/42