Species 3 makes its debut on Sci-Fi this
Saturday, so we’ll review the first two films in the
series in the next two days.
Cast, Crew, and Other Info
Natasha Henstridge as Sil
Ben Kinglsey as Finch
Michael Madsen as Press
Marg Helgenberger as Laura
Alfred Molina as Stephen
Forest Whitaker as Dan
Written by Dennis Feldman
Directed by Roger Donaldson
Complete information is available from the
Past movie reviews can be found here.
An alien intelligence sends mankind a genetic
sequence that can be
combined with our own to create something else.
I suspect that the studio heads who decided to make
it were thinking
more along the lines of “sex and violence sell. Is
acceptable way to put them together?”
The best made portion of the movie is the opening
sequence. If you
don’t know what’s going on, you’ll see an innocent
little girl who
doesn’t understand her circumstances going through a
experience. Then you find out she’s not so innocent,
and soon enough,
she’s not so little.
What was that final shot supposed to do? If it’s
meant to be scary,
it fails. If it’s meant to leave us with something
should have written humorous lines for the main
This isn’t very original. Two staples of
horror (nudity and
gore) are jammed together in an admittedly workable
essentially a Frankenstein story in which
the monster isn’t
ugly; mankind plays with science it doesn’t
understand, and creates
something it’s not ready to deal with. Upon that
were character archetypes that we’ve seen time and
time again. I give
it 3 out of 6.
The effects were not bad, actually. Some of
the tongue in the bedroom, or the face ridges in the
pool attack) were
quite well done. Others (like the CGI tentacles)
were obviously CGI.
I give it 4 out of 6.
The story is a sometimes awkward merger of
sex and violence.
TV is also not that educational; I still can’t
believe the number of
movies that have characters learn enough to function
in society from a
few hours in front of the TV. I also have issues with
the inclusion of
an empath in a manhunt story. This seems like a
cheap way out of
writing an actual manhunt with deductive reasoning,
Forest Whitaker to look around wistfully and spout a
lead any time the
trail got cold. This isn’t all the screenwriter’s
fault, either. I read the
novelization of the original script way back when
this first came out.
(I was a projectionist who read a lot. I read a lot
because customers at the theater kept asking
questions about upcoming
films I couldn’t otherwise answer until I’d seen it.)
That script had
actually fixed a few problems that this movie had.
Note that we’ll
get into spoiler territory here, so I’ll give the
score, and then
those who want to remain unspoiled should skip to the
I give it 3 out of 6. In the original script, the
research team had
already tried growing it on its own, but found it
without another genetic sequence to attach it to.
The solution the
hunting team found was to grow it in combination with
bat DNA, and
look for differences there. In this way, they (all
realized that the alien DNA was just a means to
and/or decrease consious decision making, while
allowing the animal to
activate and implement dormant genes. (All of Sil’s
were supposed to be things that our ancestors could
another scene that was completely omitted from the
movie which hits a
pet peeve of mine. There are a lot of movies that
show a map of the
United States during some sort of plague or epidemic.
The map will be
covered with little red dots to show the spread of
those dots will fill the USA and then magically stop
and the US borders. Either the threat specifically
targets people in a
very particular geometry, or the characters and/or
effects crew don’t
care about non-US citizens. (Or, I suppose, the
think the audience cares about anything outside the
USA.) As a
Canadian, this irks me somewhat. The original script
to this movie
used a map of the entire world, which showed some
local spreading of
infection before suddenly jumping to large population
worldwide. (Why the jump? “Major airports” is the
logical answer given.)
I guess the point I’m trying to make is that there
was a more
intelligent movie available, but it was stripped down
to leave more
screen time for the nudity. (No nudity was added to
the script, and
one nude scene was cut to get the rating from NC-17
to R due to its
explicit content, but the nudity is now a greater
proportion of the
The acting was passable. Nobody had more
than one or two
facial expressions, but the script never called for
them. I’ve seen
enough of this cast elsewhere to know that they are
capable of more
than this. I give it 4 out of 6.
The emotional response is a bit weak. Let’s
face it, the
organs this was meant to illicit a response from are
not known for
being overly emotional. There’s no sense of suspence
because everything is going according to formula.
You know which two
hunters are going to live for sure very quickly, and
which one won’t
survive. Of the last two, both are the sympathetic
losers, only one
of which will make it through the movie alive, and we
know which that
will be just by the nature of their introductions. I
give it 3 out of
The production is as mediocre as the rest.
The editing and
framing is actually pretty good, with some high
contrast lighting in
key sequences to ramp up the intesity, but then they
go and ruin it
all by showing lens flares every few minutes, which
serves only to
remind the viewer that he (or, I suppose, she) is
watching a movie.
Breaking the illusion is not good strategy. I give
it 4 out of 6.
Overall, it’s a mediocre little movie that
made its money
because of the look of the woman who was cast in the
lead. It made
enough money that the first sequel was guaranteed.
Watch the Bureau tomorrow
for a forthcoming review of that little piece of
work. I give this
one 4 out of 6.
In total, Species receives 25 out of 42.