The H.P. Lovecraft Historical Society spent two years turning the eccentric author’s most referenced, least filmable short story into an original motion picture. Released in 2005, it has been making the rounds at conventions since. The Call of Cthulhu has been shot to resemble a film from the mid-1920s, when the short story first appeared.
Matt Foyer…The Man
John Bolen…The Listener
Ralph Lucas…Professor Angell
Chad Fifer…Henry Wilcox
Barry Lynch…Prof. Webb
John Klemantaski…Prof. Bell
D.Grigsby Poland…Prof. Tutchton
David Mersault…Police Inspector Legrasse
Dan Novy…Eskimaux Shaman
Daryl Ball…Officer Cassidy
Clarence Henry Hunt…Castro
Ramon Allen Jr…Louis
Noah Wagner…Captain Collins
Leslie Baldwin…Mrs. Johansen
Detailed information on the cast and crew may be found here.
Available at Amazon.com
A man, appointed to be his great-uncle’s executor, finds himself drawn into an ancient, eldritch mystery.
This film features impressive design. Certain images capture moments of Lovecraft’s story memorably.
The film features a stunning soundtrack, both true to the era and appropriate for the film. Credit goes to Troy Sterling Nies, Ben Holbrook, Nicholas Pavkovic and Chad Fifer.
Several aspects of Lovecraft’s story, “The Call of Cthulhu” make it work. The refracted narration, the fact that the story appears as one man’s attempt to pull together various sources which tell the story, nudges us into thinking of it as some kind of true account, even though we know otherwise. The more fantastic elements must be imagined from the printed description, and no filmmaker can match a horror tailored to the individual reader’s psychology. This film tries to capture the shadowy nature of the original story, but it faces a difficult challenge.
Still, they’ve produced an impressive short film which should appeal to fans of Lovecraft.
Originality: 3/6 The film has been adapted from a well-known short story, and stays faithful to the text. The HPLHS have taken a novel approach, however, by making a faux 1920s silent.
Effects: 4/6. Often the models are obviously models. Given the budget of this film and the fact that the filmmakers wanted a period feel, I found this acceptable. It’s amazing that the effects so often work so well.
Cthulhu has been brought to the screen as a stop-motion creation, which is likely how this effect would have been achieved in 1926. However, Cthulhu represents a different kind of horror than Willis O’Brien’s dinosaurs from The Lost World, and I think they would have achieved a better effect using a different technique at this point. Overall, however, this is an impressive effort.
Story: 5/6 The convoluted story holds up, though it works better on paper.
Acting: 5/6. It’s silent-movie style acting, but the roles have been cast and handled well.
Production: 5/6 The film features remarkable production for an independent.
Overall, the silent-era approach serves them well. Black and white hides a wealth of technical problems, and suggests Lovecraft’s archaic writing style and fondness for shadowy places. The absence of live sound eliminates many problems that would have plagued the film’s location shooting. In a silent film, no one has to say, “Ph’nglui mglw’nafh Cthulhu R’lyeh wgah’nagl fhtagn” out loud. The film also can move quickly through conversations which would have proved ponderous if spoken in full, and instead emphasize the story’s eerie imagery.
Emotional Response: 4/6
Overall: 4/6. Hollywood’s direct adaptations of Lovecraft have a dismal history. This labour of love manages better than any studio effort to date.
In total, The Call of Cthulhu receives 30/42Final Comments
It will be interesting to compare this with the big-budget Cthulhu, due for release soon, possibly later this year. Hollywood’s track record with Lovecraft does not bode well for this movie. Among the forthcoming feature’s horrors?– it stars Tori Spelling.