A new fantasy series from the BBC, filling the Doctor Who slot on a Saturday evening.
Principal Cast and Crew
Colin Morgan as Merlin
John Hurt as the Voice of the Dragon
Richard Wilson as Gaius
Anthony Head as Uther Pendragon
Eve Myles as Mary Collins/Lady Helen
Bradley James as Arthur
Angel Coulby as Gwen
Produced by Sue de Beauvoir
Created by Julian Jones, Jake Michie, Johnny Capps and Julian Murphy
Written by Julian Jones
Directed by James Hawes
The young Merlin, on the cusp of adulthood, is sent to Camelot to protect Prince Arthur. Unfortunately, when he arrives he discovers that King Uther Pendragon has made the use of magic a capital crime and Prince Arthur is an arrogant, self-important idiot. Is it even worth trying to protect him when the potential consequences are so severe?
- It was a nice touch to have Lady Helen sing in Welsh
- Richard Wilson enhanced every scene he was in
- There just happened to be an execution for magic going on at the same time that Merlin arrives. Isn’t that a bit convenient?
- Spare us the tired mistaken identity dressing room scenes
- They made it look like Merlin enjoyed his time in the pillory as nothing more than having wet sponges thrown at him at the school fete to raise money for charity. So this isn’t supposed to be the most historically accurate drama, but that really jarred
Originality: Not much originality going on here. It’s like a cross between Merlin of the Crystal Cave which I remember from childhood, and the BBC’s more recent reinterpretation of Robin Hood. Three out of six.
Effects: Mostly good. It’s a television budget of course, so some things look exceptionally fake. The dragon, for example, falls down severely on integration with live actors and on speaking animation. On the other hand, Merlin’s glowing eye effects are flawless, and there are some well-executed magical effects. Four out of six.
Story: A fairly straightforward finding-your-destiny story, with a rather predictable outcome. The moment Merlin and Arthur dislike each other, you know they’re going to end up having to spend a lot of time in the same room pretending to be polite. Three out of six.
Emotional Response: Entertaining, but not characters you care about very much. Four out of six.
Acting: The quality of the acting varies. I suspect Colin Morgan is being more or less himself when he’s Merlin. If he isn’t, he easily could be, because he behaves just like a modern adolescent. This comes across as bad acting, because he doesn’t fit into the period, even though it’s clearly a decision to appeal to the modern family audience. The character of Morgana suffers from a similar problem, and to a lesser degree in others. On the other hand, as mentioned as the high point, Richard Wilson does an excellent job as a caring mentor character. Anthony Head does what we’d expect, although he doesn’t have the strongest character to work with (or a great deal of screen time). My final mention is for Bradley James, as a superbly obnoxious, arrogant and pigheaded Prince Arthur. Amidst all that, we can find four out of six points.
Production: Too much reliance on scene-setting, mood-influencing music. Some of it’s suitable, heavy on the xylophone and flutes which have always been associated with magical happenings in some musical styles. Unfortunately some of the music breaks out into rather overdone orchestral arrangements which trivialise fairly important scenes. Clearly a decision was taken somewhere to make this all rather excessively lighthearted. Four out of six.
Overall: Overall I enjoyed it, and it’s good family entertainment although lighter than Doctor Who despite sitting in roughly the same slot. Five out of six.
The Dragon’s Call receives a grand total of twenty-seven out of forty-two.