These are the first two issues under the pen of Ultimate
Spider-Man scribe Brian Michael Bendis.
Title: Ultimate X-Men #34 and 35
Author: Brian Michael Bendis
Illustrator: David Finch
Original Publication Date: First published in June and July
Cover Price: Each issue priced $2.25 US, $3.75 Can
Wolverine is attacked in his offtime from the X-Men, and he goes
help in the closest haven available: Peter Parker’s basement.
“You owe me eighty dollars.”
Mary Jane suddenly looks about 12 years old.
The Ultimate Universe has had some interesting interactions
Wolverine and Spider-Man. As much as I think Wolverine is
it doesn’t grate when the writer finds something new to do with
and that’s what Bendis is doing. They play off each other very
with Wolverine acting as an effective, if unwilling, straight man to
Spider-Man’s little quips. The basic “hunted man” plot has been
but we’ve already eliminated the major suspects, so the
will likely be some entity not yet seen in the Ultimate Universe.
art also lends an atmosphere that I haven’t yet seen in the
Universe, particulary in the Black Widow’s apartment. (This
because I’m following Ultimates in trade paperbacks at the
I’m a few issues behind in that title.) I give the
originality 4 out of 6.
The artwork is excellent. Apart from Mary Jane
de-aging, I don’t have any complaints, and I have a lot of praise.
This is a creative team that I have high hopes for. I give it 5 out
The story is shaping up well, demonstrating the
nature of these characters while still making it clear that their
powers aren’t limitless, all in the context of an interesting puzzle.
I give it 5 out of 6.
The characterization is well done. Wolverine is still
same old one-dimensional, mean little man he’s always been,
Spider-Man tries to cope with stress through humour. Black
shown as very capable in her little moment. There aren’t really
other characters in the forefront, apart from the top field agent of
the enemy, whose professional manner comes through clearly.
not a lot of character development going on yet, but there’s some
excellent definition here. I give it 4 out of 6.
The emotional response this produced started with
more Wolverine” let-down, but quickly improved when I saw who
Wolverine was playing off of. Spider-Man never fails to make me
under the pen of the mighty Bendis, and the storyline has my
peaked. I give it 5 out of 6.
The flow is hampered only in the end of issue 34, at
point things come across as though they are happening in very
motion, when the events should be rather sudden. I give it 4 out
Overall, it’s a solid start to Brian Michael Bendis’ run
the title, and I’m definitely interested in seeing this play out. I
give the first two issues of the “Blockbuster” storyline 5 out of 6.
In total, Ultimate X-Men #34 and 35 receive 32 out