It’s been twelve-years since we had a Star Trek series. What does 2017’s Star Trek: Discovery bring to the family?
Cast & Crew
Directed by David Semel
While patrolling Federation space, the U.S.S. Shenzhou encounters an object of unknown origin, putting First Officer Michael Burnham to her greatest test yet.
- Visuals are gorgeous
- Bridge crew banter
- Michelle Yeoh
- Lt. Saru is already annoying me
- Burnham makes Kira Nerys seem level-headed
- It feels like scenes were cut for time and/or things are rushed
- Burnham leaves sick bay, risking her life, when there’s probably a comm button mere feet away
- No actual Discovery in the pilot episode
- CBS AllAccess. Seriously, this blows
It’s not going to blow you away, but it’s decent. Let’s face, no Star Trek series is ever good right out of the gate. They always need to find their footing after a season or two. That said, there are some underlying concerns here. This is a show about Michael Burnham. Not the crew of the Shenzou (or the Discovery whenever they decide to reveal the titular ship). And that focus may well be the undoing of the show.
Star Trek has always been best when it’s about the ensemble, the crew, the family. The Shenzou feels like a family with Georgiou at the head as the tough-but-fun mom. There’s playful banter between everyone except Burnham. Even though she’s the XO, she feels like an outsider. Eventually she and Saru start to have some more interesting moments, but it’s clear the rest of the cast are expendable extras. And speaking of Saru, how does anyone that cowardly get to be a Starfleet officer, let alone one on starship? Exploration is not for the faint of heart. Remember, we’re supposed to be “boldly going” places not “Oh no, something’s suspicious! Run!” I understand the long tradition of the Planet of Hats in Star Trek, but making the hat “cowardice” feels like a bad idea (at least for a recurring character). Maybe they’re setting him up for an arc, but since it’s been explicitly stated that this is Burnham’s story, I don’t know.
And since the POV is supposed to be Burnham’s, the jumps from her to the Klingons are just jarring. If they want to go with 3rd-Person POV, then they should stick to it. Nothing was really revealed in the Klingon scenes, so more time spent on the Shenzou would have been a more effective use of time.
There is a lot going on in the pilot and no time is spent exploring anything. There’s a robot of some kind on the bridge. Why? What’s it doing other than moving and flashing during jump cuts? What’s up with these Klingons? How in tune with the universe is Sarek that he can sit on a desk as a hologram? Is there going to be a massive shortage of blue fabric in the next ten years so as to cause Starfleet to completely redo their uniforms?
OK, enough complaining. There are some good things. The visuals really are fantastic. There are shots that rival what we’ve seen in the recent movies. CBS did not skimp on this part of the show. Clearly they watched BSG and The Expanse and wanted to go big on the look.
And, despite my confusion, I am intrigued enough to watch the rest of the season to get some of these questions answered. Am I intrigued enough to pay extra just to watch one show? No. Matthew has volunteered to review the rest of the season, since he gets it as part of his Netflix package in the UK. I will probably grab a subscription once the season is complete and binge it straight through (and I get the sense that this show will be heavily serialized, so it may be the best way to watch it).
It’s not the Star Trek that we’re used to. Admittedly, TNG wasn’t the Star Trek we were used to when it rolled out, so I’m willing to reserve any broader judgement on it.
Originality: Well, it’s definitely different in tone and look from other Star Trek series but the story, thus far, isn’t well-defined enough to tell if it’s something new or not. Maybe that, in and of itself, is something new. 5/6
Effects: Very good looking effects. The Shenzou is nice looking ship in the tradition of Starfleet ships of old. 6/6
Production: The sets looks pretty good. It does not jibe with the fact that it’s ten years before TOS. I miss the color-coded uniforms for duties. I know they are here, but it’s so faint, you can’t tell. 4/6
Story: I’m genuinely confused as
all get-out as to what’s going on. Maybe it’s my brain trying to reconcile it with other Star Trek series. 3/6
Acting: It’s well-acted, at all levels. I can’t fault the producers for their casting job. I hope Michelle Yeoh is able to stay around on the show, because she’s becoming one of my favorite captains. 6/6
Emotional Response: I have to admit to being genuinely wound up about the story. I’m not sure if it was because I was into the characters or just a general “please don’t suck, please don’t suck, please don’t suck” nausea. 4/6
Overall: An OK start that teases you into wanting more (and buying a subscription). 4/6