For genre films, it’s pretty much Dune: Part 2 and Wicked getting nominated.
Best picture
- Anora
- The Brutalist
- A Complete Unknown
- Conclave
- Dune: Part Two
- Emilia Pérez
- I’m Still Here
- Nickel Boys
- The Substance
- Wicked
Performance by an actor in a leading role
- Adrien Brody, The Brutalist
- Timothée Chalamet, A Complete Unknown
- Colman Domingo, Sing Sing
- Ralph Fiennes, Conclave
- Sebastian Stan, The Apprentice
Performance by an actor in a supporting role
- Yura Borisov, Anora
- Kieran Culkin, A Real Pain
- Edward Norton, A Complete Unknown
- Guy Pearce, The Brutalist
- Jeremy Strong, The Apprentice
Performance by an actress in a leading role
- Cynthia Erivo, Wicked
- Karla Sofía Gascón, Emilia Pérez
- Mikey Madison, Anora
- Demi Moore, The Substance
- Fernanda Torres, I’m Still Here
Performance by an actress in a supporting role
- Monica Barbaro, A Complete Unknown
- Ariana Grande, Wicked
- Felicity Jones, The Brutalist
- Isabella Rossellini, Conclave
- Zoe Saldaña, Emilia Pérez
Best animated feature film
- Flow
- Inside Out 2
- Memoir of a Snail
- Wallace & Gromit: Vengeance Most Fowl
- The Wild Robot
Best animated short film
- Beautiful Men
- In the Shadow of the Cypress
- Magic Candies
- Wander to Wonder
- Yuck!
Achievement in cinematography
- The Brutalist
- Dune: Part Two
- Emilia Pérez
- Maria
- Nosferatu
Achievement in costume design
- A Complete Unknown
- Conclave
- Gladiator II
- Nosferatu
- Wicked
Achievement in directing
- Anora, Sean Baker
- The Brutalist, Brady Corbet
- A Complete Unknown, James Mangold
- Emilia Pérez, Jacques Audiard
- The Substance, Coralie Fargeat
Best documentary feature film
- Black Box Diaries
- No Other Land
- Porcelain War
- Soundtrack to a Coup d’Etat
- Sugarcane
Best documentary short film
- Death by Numbers
- I Am Ready, Warden
- Incident
- Instruments of a Beating Heart
- The Only Girl in the Orchestra
Achievement in film editing
- Anora, Sean Baker
- The Brutalist, David Jancso
- Conclave, Nick Emerson
- Emilia Pérez, Juliette Welfling
- Wicked, Myron Kerstein
Best international feature film
- I’m Still Here, Brazil
- The Girl with the Needle, Denmark
- Emilia Pérez, France
- The Seed of the Sacred Fig, Germany
- Flow, Latvia
Achievement in makeup and hairstyling
- A Different Man, Mike Marino, David Presto and Crystal Jurado
- Emilia Pérez, Julia Floch Carbonel, Emmanuel Janvier and Jean-Christophe Spadaccini
- Nosferatu, David White, Traci Loader and Suzanne Stokes-Munton
- The Substance, Pierre-Olivier Persin, Stéphanie Guillon and Marilyne Scarselli
- Wicked, Frances Hannon, Laura Blount and Sarah Nuth
Original Score
- The Brutalist, Daniel Blumberg
- Conclave, Volker Bertelmann
- Emilia Pérez, Clément Ducol and Camille
- Wicked, John Powell and Stephen Schwartz
- The Wild Robot, Kris Bowers
Original Song
- “El Mal” from Emilia Pérez
- “The Journey” from The Six Triple Eight
- “Like A Bird” from Sing Sing
- “Mi Camino” from Emilia Pérez
- “Never Too Late” from Elton John: Never Too Late
Achievement in production design
- The Brutalist
- Conclave
- Dune: Part Two
- Nosferatu
- Wicked
Best live action short film
- A Lien
- Anuja
- I’m Not a Robot
- The Last Ranger
- The Man Who Could Not Remain Silent
Achievement in sound
- A Complete Unknown
- Dune: Part Two
- Emilia Pérez
- Wicked
- The Wild Robot
Achievement in visual effects
- Alien: Romulus
- Better Man
- Dune: Part Two
- Kingdom of the Planet of the Apes
- Wicked
Writing (Adapted Screenplay)
- A Complete Unknown, Screenplay by James Mangold and Jay Cocks
- Conclave, Screenplay by Peter Straughan
- Emilia Pérez, Screenplay by Jacques Audiard; In collaboration with Thomas Bidegain, Léa Mysius and Nicolas Livecchi
- Nickel Boys, Screenplay by RaMell Ross & Joslyn Barnes
- Sing Sing, Screenplay by Clint Bentley, Greg Kwedar; Story by Clint Bentley, Greg Kwedar, Clarence Maclin, John “Divine G” Whitfield
Writing (Original Screenplay)
- Anora, Written by Sean Baker
- The Brutalist, Written by Brady Corbet, Mona Fastvold
- A Real Pain, Written by Jesse Eisenberg
- September 5, Written by Moritz Binder, Tim Fehlbaum; Co-Written by Alex David
- The Substance, Written by Coralie Fargeat
I would count “The Substance” and “Nosferatu” as genre films, though I only know “The Substance” by reputation. Based entirely on film nerd buzz on social media, I would think “The Brutalist” would have been a lock had they used physical makeup instead of AI to de-age the actors.