Author Archives: JD DeLuzio

Halloween Review: Zodiac (2007)

We’re baa-aack!

Wolves howl and blood runs cold and leaves crunch underfoot, and once again, the Bureau runs its annual Halloween countdown. In addition to the usual weekend movie reviews of horrorfilms past (and one on the big night), we’ll also be running a lot of scaaary videogame reviews and gothic comic reviews and seasonal surprises.

We start this weekend with a real-world thriller from the director of Fight Club and Seven and Panic Room.

The Zodiac was real. He did terrible things. The police never got him.

Continue reading →

Fringe Discussion: “One Night in October”

This episode gives us an interesting use of the Alternate Reality Where History Happened Differently But Somehow the Same People Exist (ARWHHDBSSPE): a police expert helps track down his other-world duplicate, a serial killer.

It’s also a study of Nurture and Circumstances over Nature.

Terra Nova Discussion: “Genesis”

With all this talk of maybe-faster-than-light neutrinos, we neglected to discuss the heavyweight of the new genre series, Brannon Braga and Steven Spielberg’s Terra Nova. Equal parts cozy catastrophe, SF of ideas, and dino-shooting adventure, the first episode had its moments and some standout performances, but the character dynamics seem forced, the CGI is uneven, and I’m not convinced its ratings will justify the multi-million dollar budget.

What did the Bureau think?

Continue reading →

Weekend Review: Mojave Phone booth

In the 1960s, Bell placed a phone booth in the Mojave Desert, at the intersection of two dirt roads, in order to serve nearby miners and other residents of the sparsely-populated area. In 1997, the phone became something of a phenomenon after its number appeared online, drawing regular callers and wandering pilgrims from around the world. Pacific Bell removed the phone in 2000.

In 2006, an independent film appeared that uses the Mojave Phone Booth to bring together four overlapping tales involving strained relationships, technological interfaces with human life, high-end prostitution, contemporary alienation, and alien contactees.

It won numerous awards at film festivals, but received mixed mainstream reviews and limited distribution. Is it worth seeking out?

Continue reading →