The third and fourth episodes of the Doctor Who’s Flux features a chaotic but fairly original episode followed by one that embodies everything that has characterized this season, good and problematic.
What might be good and what, problematic, lies, of course, in the eye of the beholder.
A collection of my short fiction, old and new, will be released in March. Today the publisher unveiled the cover, with great original art by Dan Barrick.
“One cannot have all the lives one desires.”
–Saru
Discovery returns with those cool uniforms from last year, a lot of sound and fury, and an inconsistent start for a season for which many have high hopes.
In addition to her help promoting SF and Fantasy to a broader audience, she also worked for two years as an audio editor for Radio Free Europe/Radio Liberty, and she made a number of appearances at SF conventions.
The second half of Chapelwaite leaves the source material far behind as it develops an interesting and disturbing tale, but one that lacks much originality and probably should have been two or three episodes shorter.
Doctor Who returns, with a Halloween Special that hands out Part One of a longer story, brings together friends and foes old and new, and doesn’t reference the recent retcon/revelations regarding the Doctor’s origins.
For our final October Countdown Review, for the Big Day itself, we have the 2019 adaptation of the middle grade books accused of warping the minds of a generation, the late-twentieth-century “Tales from the Crypt,” Scary Stories to Tell in the Dark. Alvin Schwartz and artist Stephen Gammell presented the collections as folk literature, drawing on urban legends, old yarns, and local folklore, and the books have become classics, despite the concerns of some parents and school boards.1
The movie creates a larger frame in which to place the horror. It begins Halloween Night, 1968, in a small town haunted by a mysterious figure known for her scary stories…. And alleged to have been a killer of children.